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Robert Henri
Gertrude Vanderbilt Whitney, 1916, by Robert Henri
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ID: 94052
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Robert Henri
1865-1929
Robert Henri was born Robert Henry Cozad in Miami, Florida to Theresa Gatewood Cozad of Malden, Virginia and John Jackson Cozad, a gambler and real estate developer. Henri had a brother, Johnny, and was a distant cousin of the noted American painter Mary Cassatt. In 1871, Henri's father founded the town of Cozaddale, Ohio. In 1873, the family moved west to Nebraska, where they founded the town of Cozad.
In October 1882, Henri's father became embroiled in a dispute with a rancher, Alfred Pearson, over the right to pasture cattle on land claimed by the family. When the dispute turned physical, Cozad shot Pearson fatally with a pistol. Cozad was eventually cleared of wrongdoing, but the mood of the town turned against him. He fled to Denver, Colorado, and the rest of the family followed shortly. In order to disassociate themselves from the scandal, family members changed their names. The father became known as Richard Henry Lee, and his sons posed as adopted children under the names Frank Southern and Robert Earl Henri (pronounced "hen rye").
In 1883, the family moved to New York City, then to Atlantic City, New Jersey, where the young artist completed his first paintings. Related Paintings of Robert Henri :. | Cumulus Clouds,East River | The Beach Hat | Laughing Girl | Tam Gan | Derricks on the North River | Related Artists: Samuel Dircksz van Hoogstraten1627-1678
Flemish Samuel Dircksz Van Hoogstraten Galleries SWANEVELT, Herman vanDutch Baroque Era Painter, ca.1600-1655
Dutch painter, draughtsman and etcher, active in France and Italy. His first signed and dated works are two views of Paris dated 1623 (Brunswick, Herzog Anton Ulrich-Mus.). He was in Rome from 1629 to 1641. His earliest dated painting there is an Old Testament Scene (1630; The Hague, Mus. Bredius; see fig.), a compositional formula that he often used, with some variations, in Rome. A flat, low foreground is closed on the left by a house and a tree; on the right is a distant hilly scene; and groups of figures are disposed horizontally. This design, derived from Cornelis van Poelenburch, is well suited to van Swanevelt's many landscapes with biblical and mythological subjects. The large tree extending beyond the frame gives a monumental touch to the composition. COXCIE, RaphaelFlemish painter (b. 1540, Mechelen, d. 1616, Brussels).
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